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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Luke Scibberas, Hill End NSW, 2004

Artists' space

Magazine article by John McDonald, 2007

Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.
Brown form with stripes, 1961

Figurative foundation

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.
Portrait of Kym Bonython/Portrait of Mr Bonython's speedway cap

Somewhere to hang your cap

Magazine article by Beatrice Thompson, 2007

A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.
Andrew Sayers AM

Past directors

History

Directors of the National Portrait Gallery from 1998 to today.
Professor Peter Doherty

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling
Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
Self portrait, 1970

Painters' paradise

Magazine article by Andrew Sayers AM, 2007

Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.
Andrew Sayers

Andrew Sayers AM FAHA

13 October 2015
Archived media releases 2015

The Chairman, Board, Director and staff mourn the loss of the National Portrait Gallery's inaugural director.
James Baldwin, writer, Harlem, New York 1945 by Richard Avedon

The Avedon effect

Magazine article by Dr Christopher Chapman, 2013

Dr Christopher Chapman explores how we can understand Richard Avedon's photographs.  
Lesley Harding

Faces of war

Lecture, 14 May 2011
General content

Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.
The possessed, 1942 by Albert Tucker

The inner voice

Magazine article by Dr Christopher Chapman, 2011

Dr Christopher Chapman, curator of Inner Worlds: Portraits & Psychology looks at Albert Tucker's Heidelberg military hospital portraits.
Geoffrey Graham

The mind's eye

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.
Dr Christopher Chapman

The art of Inner Worlds

Lecture, 7 May 2011
General content

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.
Mirka - 9 Collins Street

Wicked but Virtuous

About Face article

Faith Stellmaker shares pioneering artist and restaurateur Mirka Mora’s lasting legacy on Melbourne’s art, dining and culture.
Sandor Ferenczis 50th birthday dinner, Budapest, 1923

Less than six degrees of separation

Magazine article by Dr Anne Sanders, 2011

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.
Kevin Rudd

An Australian story

Magazine article by The Hon. Dr Kevin Rudd, 2009

In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
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Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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